Hello Livio, I agree with your logic concerning Bonifazio's titles, it sounds reasonable enough and I don't see anything wrong with the way you present it here. Sorting it all out is a rather complicated problem, so I'm glad you're handling it. You know far more about such things than I do. And it's wonderful that you are working so diligently to get it 'just right'. You are a perfectionist, :)
I also like the new profile picture, it's very appropriate and I think I recognize it from the Wiki article, so it's consistent. Is it a depiction of Rambaldo, himself? If so, it is especially nice.
Regarding the affair between Rambaldo and Beatrice, I don't doubt that they cared deeply for one another, flirted outrageously, and were very affectionate toward one another. I'm sure they were tempted and possibly even gave in to temptation at times.
However, their "jealous" and "slanderous" society (quoting Rambaldo) must have frowned darkly on any serious relationship between them (such as an engagement or marriage). And they were secretive about it, with him slyly watching her through the window, meeting her in her bedchamber, pretending that it wasn't at all physical, and not discussing their feelings openly with her family. Her brother even tried at least once, to catch them doing wrong. And that's how she got her nickname, "the Beautiful Knight".
I think that profile relationships (of that very formal and conservative era, especially) should be reserved for serious engagements that could be made public and would actually lead to real marriage. As much as it might seem charitable to join them, I think it is inappropriate in this case.
Beatrice was the granddaughter of https://www.geni.com/people/Henry-IV-Holy-Roman-Emperor, so she was "high nobility", practically a royal. Whereas, Raimbaut de Vaqueiras was possibly lower nobility, at best. It's highly unlikely that their society would have approved of their relationship, because for them love really had very little to do with their marriages. In fact, medieval lovers were sometimes killed for dishonoring the family, sadly. Even as a thrice widowed adult matron, she would have needed approval from the correct authorities (family, church, etc.) in order to marry anyone.
However, they seem to have gotten along just fine anyway.
Today I ran across these Folkways Media Liner Notes from one of their records, which I found quite educational and fun reading.
"Unlike the northern French jongleurs, who were professional singers of the chansons de geste, the Provencial troubadours were mostly men of noble or semi-noble birth, who delighted in singing the praises of fair ladies, many of them married to other men. The nature of the love affairs they describe is such that frequently the identity of the lady to whom the poem is directed has to be concealed. This in turn leads to a style which is often obscure and strange, but which met with great favor in Italy, Portugal, and even in northern France, where it had to face the competition of the native epic."
So we can see that although Raimbaut may have been noble and mannerly enough for court (thus part of the attraction), and even that some closer members of Beatrice's family might have been tolerant of their love affair -- the divisions between higher and lower nobility would have prevented any socially approved union.
They would have expected her to marry a man of respectable means, which Raimbaut was not, as the son of a "poor knight". And I do not exaggerate when I tell you that I have researched it already, and practically every medieval troubadour was considered "scurra" (literally, scum) by 'proper society', because they lived like "parasites" (quote) selling their songs and musical talent in exchange for food and lodging wherever they could get it. They would deliberately sing to win the hearts of the ladies, in order to make themselves recipients of their charity and other favors.
So yes, many of the ladies and some of the itinerant troubadours (or "wandering minstrels") actually did fall in love and/or conduct affairs. But they very rarely if ever got engaged or married one another, unless of the same social class (one troubadour was a king, Theobald I of Navarra -- but it was only a hobby for him, not his main occupation :D ).
So I would only make note of the friendship between them in the About section, and not try to add it to her Relationships.
https://folkways-media.si.edu/liner_notes/folkways/FW09578.pdf?fbcl...
PS: Thank you for correcting Rambaldo's name displays and adding the Italian language translation. I knew you would make it right.
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